26 signed, lettered copies
Olivia: A Monologue
A unique Jack Ketchum collectable, suitable for framing in your home or office.
Olivia, is a 500+ word monologue (that ties in with the novel The Lost), written by Jack Ketchum, and illustrated with a woodcut print. It is a 13 x 20 inch Letterpress Broadside printed on Acid Free Cotton Somerset Velvet Cover, signed by by both Jack Ketchum and the artist, Katie Wynne.
Released as Stranglehold in the United States.
Arthur Danse doesn’t live by the normal rules. He knows he has been put on earth for a purpose – to show people the the world is a dark and terrible place. To say no to Arthur Danse is to receive a lesson in fear and pain. No matter who you are. Wife…lover…stranger…or eight-year-old son.
Lydia McCloud is one of life’s givers. A nurse whose own hard upbringing gives her a special sympathy for those in need. Lydia doesn’t discover the real Arthur until it’s far too late. Until she’s married to him and their son Robert has become the centre of her world. And she’s forced into the battle of her life for the sake of her only child…
In the silence of a green wilderness, they were to learn terror…
The celebrated novelist. The model. The agent. The playwright. The photographer. The wife. Refugees from modern civilization off for a weekend in the woods. Far away from the clash and clamor of the city…and amenities like telephones, hospitals, and policemen. Soon, they’ll stand naked against a battle-scarred soldier whose cunning and ferocity rival any force of nature, a survivor of our most frustrating war still fighting the enemy in every person he sees. Soon, during the long days and deadly nights, all the trappings and trivia of their lives will be stripped away…until all that’s left is a desperate, elemental need to survive and fight together – if they can – to defeat the killing machine that threatens them all.
Translated by Vyacheslav Shutov.
From a 2017 Interview with Darker Magazine (in Russian):
Readers in Russia know you mainly from the rather messy-made edition of «Vultures» [Off Season] and «Stai» [Offspring].The nineties were a paradise for horror lovers in Russia, although most publishers wanted to spit on copyright, high-quality covers / translations, etc. What do you think about this book? Did you receive any money for it?
Not a cent. These books were stolen by the editor of a magazine…and sold without my knowledge. Then one day I received this book in hardcover by mail, on the cover – a frightened man in the form of either a New York policeman, or the pilot of a Nazi attack plane, surrounded by zombie-like creatures. There was no return address, so where she came from, I don’t know.
A stranger walks into a place of business…and starts shooting.
Three of horror’s most terrifying authors challenged each other to write a novella beginning with that simple idea. But where they each went from there would be limited only by their own powerful imaginations. The results are incredibly varied, totally individual, and relentlessly horrifying. Prepare yourself for three very different visions of fear, each written specifically for this anthology and available nowhere else.
- Triage by Richard Laymon
- In the Year of Our Lord: 2202 by Edward Lee
- Sheep Meadow Story by Jack Ketchum
A contented time in a quiet place for most.
But not for all.
For on a tranquil, tree-lined street, in a dark basement, fourteen-year-old Meg and her little sister Susan are about to learn everything there is to know about the savagery in the human heart.
And an entire neighborhood, young and old alike, will either turn away from the madness, or succumb to it, joining in the slow, sadistic torture of a victim too beautiful and too innocent for her own good. Here, only one young boy will dare to reach out to make an agonizing choice between love and compassion – and violence and evil.