ロード・キル (Road Kill) (Joyride) (Japan)
Japanese edition of Road Kill / Joyride, translated by Yoshiki Arisawa.
In the silence of a green wilderness, they were to learn terror…
The celebrated novelist. The model. The agent. The playwright. The photographer. The wife. Refugees from modern civilization off for a weekend in the woods. Far away from the clash and clamor of the city…and amenities like telephones, hospitals, and policemen. Soon, they’ll stand naked against a battle-scarred soldier whose cunning and ferocity rival any force of nature, a survivor of our most frustrating war still fighting the enemy in every person he sees. Soon, during the long days and deadly nights, all the trappings and trivia of their lives will be stripped away…until all that’s left is a desperate, elemental need to survive and fight together – if they can – to defeat the killing machine that threatens them all.
Movie tie-in edition.
Suburbia. Shady, tree-lined streets, well-tended lawns and cozy homes. A nice, quiet place to grow up. Unless you are teenage Meg or her crippled sister, Susan. On a dead-end street, in the dark, damp basement of the Chandler house, Meg and Susan are left captive to the savage whims and rages or a distant aunt who is rapidly descending into madness. It is a madness that infects all three of her sons – and finally the entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, torturous deaths. A boy with a very adult decision to make.
This edition also features the stories Do You Love Your Wife? and Returns. The Movie Tie-In Edition also contains a bonus interview.
- The Girl Next Door
- Do You Love Your Wife?
- We Have Permission (interview with Jack Ketchum by Quentin Dunne) – Movie Tie-In Edition only.
Suburbia in the 1950s. A nice quiet simpler time to grow up – unless you count the McCarthy trials and red-scares and the shadow of the Bomb, and the Cold War, unless you could see the dark side emerging. And on a quiet tree-lined dead-end street, in the dark damp basement of the Chandler house, it’s emerging big-time for teenage Meg and her crippled sister Susan – whose parents are dead now, who are left captive to the savage whims and rages of a distant Aunt who is rapidly descending into madness. It is a madness that infects all three of her sons – and finally an entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, tortuous deaths. A boy with a very adult decision to make. Between love and compassion, and lust and evil.
Features an introduction by Stephen King.
Limited Editions also feature afterwords by Christopher Golden, Lucy Taylor, Edward Lee, Philip Nutman, and Stanley Wiater, and are signed by all contributors, including Neal McPheeters, who provided the cover art.
A beautiful New York editor retreats to a quiet Maine beach town –
Nearby, a savage human family lurks in the woods, watching, waiting…
And before too many hours pass, five civilized, sophisticated people will learn just how primitive we all are, and that there are no limits to the will to survive.