Lydia Danse is a devoted wife, with a wonderful son to raise and nurture. But now her family is being torn apart by a vicious man submerged in his own insanity: her husband. She will do anything to get her son away from him. But Arthur Danse is not a man who surrenders his possessions. He holds on tight to what is his. And he never lets go…
Released as Stranglehold in the United States.
Arthur Danse doesn’t live by the normal rules. He knows he has been put on earth for a purpose – to show people the the world is a dark and terrible place. To say no to Arthur Danse is to receive a lesson in fear and pain. No matter who you are. Wife…lover…stranger…or eight-year-old son.
Lydia McCloud is one of life’s givers. A nurse whose own hard upbringing gives her a special sympathy for those in need. Lydia doesn’t discover the real Arthur until it’s far too late. Until she’s married to him and their son Robert has become the centre of her world. And she’s forced into the battle of her life for the sake of her only child…
This edition is slightly different than the original American edition, but not as complete as The Unexpurgated Edition.
From the Afterword to The Unexpurgated Edition (edited to avoid possible spoilers):
“There was one…change I made…for the British paperback.
At the very end of the original, [a character is] in the ambulance, shot up with painkillers and speculating through her haze on whether these people who are treating her are paramedics or doctors. She hoped they were doctors, reads the line.
A few months after the book was published I got a letter from a fan who said he’d enjoyed the read immensely. Until he got to that line.
He went on to say that he was in fact a paramedic and in [her] situation, she’d be far better off in the hands of a trained ambulance crew than with a bunch of doctors. I checked it out and he was right of course. Whoops. I hadn’t done my homework. I wrote back and apologized and thanked him for bringing the error to my attention and promised that if the book ever went into another printing anywhere I’d fix it.
In ’95 the Brits at Headline came along and I did.“
Italian edition of Joyride translated by Annabella Caminiti
The old man hears them before he sees them, the three boys coming over the hill, disturbing the peace by the river where he’s fishing. He smells the gun oil, too much oil on a brand-new shotgun. These aren’t hunters, they’re rich kids who don’t care about the river and the fish and the old man. Or his dog.
Red is the name of the old man’s dog, his best friend in the world And when the boys shoot the dog – for nothing, for simple spite – he sees red, like a mist before his eyes.
And before the whole hing is done there’ll be more red. Red for blood…
Note: paperback edition also contains a sample from Road Kill (aka Joyride)
The local sheriff of Dead River, Maine, thought he’d killed them off ten years ago – a primitive, cave-dwelling tribe of predatory savages. But he failed. Somehow the clan survived. To breed. To hunt. To kill and eat. And if the peaceful residents of Dead River are to survive, they too must unless their primal instincts. For blood…
Japanese edition of Road Kill / Joyride, translated by Yoshiki Arisawa.
Somebody’s Knocking’…
Suburbia in the 1950s. A nice quiet simpler time to grow up – unless you count the McCarthy trials and red-scares and the shadow of the Bomb, and the Cold War, unless you could see the dark side emerging. And on a quiet tree-lined dead-end street, in the dark damp basement of the Chandler house, it’s emerging big-time for teenage Meg and her crippled sister Susan – whose parents are dead now, who are left captive to the savage whims and rages of a distant Aunt who is rapidly descending into madness. It is a madness that infects all three of her sons – and finally an entire neighborhood. Only one troubled boy stands hesitantly between Meg and Susan and their cruel, tortuous deaths. A boy with a very adult decision to make. Between love and compassion, and lust and evil.
Features an introduction by Stephen King.
Limited Editions also feature afterwords by Christopher Golden, Lucy Taylor, Edward Lee, Philip Nutman, and Stanley Wiater, and are signed by all contributors, including Neal McPheeters, who provided the cover art.
Japanese edition of Only Child / Stranglehold, translated by Yoshiki Arisawa.
Ladies’ Night is a non-stop rollercoaster ride of sheer nerve-rattling terror, deemed too violent for mass-market publication. In this modern tale of the ages-old battle of the sexes carried to the extreme, Jack Ketchum again provides readers with an excursion into horror as relentless as a John Woo film.
A word of caution, this book contains scenes of extreme violence, and is definitely not for the faint of heart.
The Exit At Toledo Blade Boulevard collects thirteen Ketchum tales, including six new stories never before published, an essay on the author’s strange and wonderful experiences with the author Henry Miller, special new Ketchum introductions to each piece, and an introduction by master storyteller Richard Laymon.
Contents:
Japanese edition of The Girl Next Door, translated by Hiroshi Kaneko.
